Independent Authors


copyediting, line editing

Photo by Sümeyye Başbil

You have a story to tell, expertise to share, wisdom to impart. Make sure you also have the help you need to refine, enhance, and polish your writing.

Before you work with a copyeditor or line editor, you need to be sure you have the final version of your manuscript. Ask yourself this essential question: Does this piece work from beginning to end?

After your first draft, second draft, nth draft, if you’re uncertain about big-picture aspects—like focus, content, structure, framing, tone—you’ll want to collaborate with a developmental editor for feedback and guidance on revising your manuscript to arrive at your final draft.

Then we can talk. Depending on the purpose of your manuscript and the concerns you have for it, you might request a line edit, copyedit, or both.

A copyedit—the polish—is a must for professional publishing. At the very least, copyediting catches the mechanical errors of grammar, spelling, punctuation, and the like. It also addresses clarity and flow.

A line edit is optional, however. It happens before or along with copyediting and addresses aspects like pacing and mood. By crafting your writing to be more nuanced and compelling, line editing elevates the reader experience.

Dana is absolutely gifted at what she does. After speaking with several other highly recommended editors, I knew she was the perfect person to edit my book within seconds of connecting with her. She is professional, knowledgeable, positive, and truly a pleasure to work with. It was apparent in every interaction I had with her that she loves what she does, and it shows in her work product. Dana had a way of knowing and understanding my voice, and I used almost every single edit and revision she suggested for my book. She understood my vision beautifully.

GINGER CORWIN, AUTHOR, SPEAKER, AND LIFE COACH

Photo by Barbara Olsen
Photo by Michaela St
Photo by Ketut Subiyanto